Adam Gilbreath



It’s presently

                     



About

Selected Works


2024

Tucson Section

Once There Was and Once There Wasn’t...

2023

4D
The Garden at the End of Time 
White on White #6-8
Untitled #4         

2022

Wash Monolith               

Contact

4D


Within the essay and zine, “4D”, an argument is made that architectural objects are inherently linked to time. And beyond this by rationalizing objects through an eternalist view of time we can combine and utilize Object Oriented Ontologie’s  (Harmon) aesthetic theory  as well as Materialist (DeLanda) language surounding flows. 

New Materialism views architecture as the calcification of flows of “matter-energy”, within this view everything is broken down to matter and the ways in which it circulates and calcifies.  Object-Oriented Ontology (OOO, read as “triple O”)  alternatively views everything as objects, things that “cannot be entirely reduced either to components of which it is made or to the effects that it has on other things” (Harman). OOO expands upon the structures and natures of these objects and gives us a framework for accessing their aesthetic effects. 

4D served as the philisophical framework for what would become “Once There Was and Once there Wasn’t”. Drawing from Ideas explored in previous projects such as the nature of an architectural object and their relationship with time. 4D expands upon and distills the ideas into something much more tangible and usable.


To access the full text either click “Next Page” to start at the first page or click on a section below to begin reading from there.


CONTENTS
                        

               Introduction

                 A Working Definition of Architecture


                           Function

                           Aesthetics

                           Environment

                           The Relationships Between Function, Aesthetics, and Environment

                Object Oriented Ontology

                  New Materialism

                  Function


                Aesthetics

                  Environment
                               
                               
Post Humanism and Flat Ontologies

                            Time and Objects

                Matters of Scale

                               
Urban and Natural

                            Mass and Void

                            Structure and Skin

                   Philosophy Conclusions

                   Particular Applications Within the Field

                   Particular Critiques


                             Donald Judd: Untitled Works in Mill Aluminum

                             Richard Serra: Dileneator

                             John Chamberlain: Mr. Press, and Jackson Pollock: Number 1a

                             Mark Foster Gage Architects: Helsinki Guggenheim, and Kengo Kuma: GC    
                             Prostho Museum
        

                             Peter Zumthor: Therme Vals            

                             Wash Monolith      

                             Untitled #4

                             White on White #6-8

                    Conclusions and Routes Forward